Wild Gods

A community honoring Artemis, Pan, and Dionysus


Drawing based on an Attic red-figure kylix by Douris. Drawing by Dugald Sutherland MacColl, 1894.

honor the small gods as well as the big

“All that effort, and it just takes one dog running through the shrubbery, or one group of people chatting as they push through a trail-free area, to disrupt the delicate nesting process that’s the culmination of weeks of effort, the future of that little family.”

from Cherish the Cradles: International Migratory Bird Day 2017


Labrys, a Hellenic religious group in Greece, performs a Mounichia ritual to Artemis.

Happy Beltane to All!

Artist: Yayashin


Hearing the God Again

Five years ago, Dionysus stopped talking to me.

vintage maenad

I had, at the time, been a dedicant to the god for over a decade. The coven of which I was a member regularly performed Dionysian ritual, including a fully-fledged Dionysia every two years; I was part of another group devoted exclusively to Dionysus; and that group had grown out of longstanding service to a regional pagan festival in which Dionysus played a major role.

I had also just the month before decided to end my involvement with said festival, for a variety of reasons that aren’t relevant here. Since my relationship to the god of wine had largely been forged out of my association with that festival–I still remember the first private Dionysian ritual I participated in there, and there were many others over the succeeding decade–it perhaps shouldn’t be surprising when the god stopped talking to me.

head of Dionysus

It happened around the time I went to China during the run-up to the festival. The two-week trip meant that I missed a preparatory ritual being led by my priest, who was also the priest of Dionysus for the festival. My phone worked in China, sort of, so we texted back and forth during the ritual prep. Most of the texts didn’t go through.

They didn’t go through because online access in China is strongly curtailed and the ritual was taking place in a remote location with poor cell service, but nonetheless it’s hard not to look back at that and not see it as a harbinger of what was to come.

And at some point, I think it was during the festival itself, I realized that Dionysus no longer spoke to me.

This would have been difficult enough, considering that my best friend was serving as the god’s priest, that the ritual called for both of us to undergo a ritual death, that a deity I had heard and served for over a decade was suddenly silent, that there was a hell of a lot of turbulence around the festival itself that year, and that at the time it seemed like no one understood what I was going through. (Probably not true, but when one’s religion calls for relationships with deities that are by nature intensely personal, it’s easy to feel this way.) But the show had to go on, and I felt myself facilitating energies in which I could not partake.

Somewhere in all of this, a particularly observant friend pointed out that Dionysus is

Dionysus and the thiasos. From the British Museum.

called “the god who comes,” and in order to be that, He has to go away at some point. Indeed His myths and stories are full of strange and sudden arrivals and departures; His arrival brings chaos, upends local order, drives people to ecstasy or to madness depending on whether they embrace or resist Him.

The chief thing that connected us would do so no longer. I was departing the festival. Much as it hurt at the time, Dionysus withdrawing from me made sense. The decade-plus of engagement with Him in a particular way was over, and I had to come to terms with it.

A couple of months later, Wild Gods had our annual camping retreat. Prior to welcoming our participants, the friend who had been Dionysus’s priest at the festival, before and since my working partner in Wild Gods, did some ritual work to see whether the connection could be mended. The whole experience had somewhat strained our friendship; when you have an entity in your head that isn’t speaking to your priestess, it makes things a little awkward. I never blamed him, but there was discomfort between us.

We did the ritual, and Dionysus deigned to speak with me again. And He asked me what the nature of my dedication was to Him.

I couldn’t answer.

Dionysus altar, from our spring ritual

For years it had been about the things we usually associate with Dionysus: wine, dance, ekstasis, resurrection and rebirth, divine madness, joy. But suddenly that wasn’t enough anymore. For years I had been tasked with preparing festival priests and participants to encounter the god, and when I walked away from the festival, I walked away from that task.

It was awhile before Dionysus spoke to me again after that. That year I lost an important and beloved mentor, and began a creative writing program. A great deal in my life shifted in spiritually catastrophic ways. Slowly, I began to rebuild the connection.

Last weekend, Wild Gods performed a spring rite, and my friend once again served as the priest of Dionysus, and told me that I was once again and always His child.

I don’t rave at the Dionysian rituals in the way that I used to. I’m older now and no longer have the physical resilience that I did. It’s not really about the partying, anyway–Dionysian revelry is and always has been the vehicle, not the goal in itself. That goal is collective ekstasis, collective joy, something increasingly at risk in these days of isolation, deprivation, and fear.

It took Dionysus leaving and returning for me to begin to understand that, and to build my own path back to Him through reflection, creativity, dance, and ritual. I hear His voice again, but it’s different now.

altars to Aphrodite, Dionysus, and Pan, from our spring ritual

From the Green Wolf: Our Deadly Lack of Nature Literacy

We need to understand how delicately balanced an ecosystem is, the webs of relationships and balances that formed over thousands of years of fine-tuning and evolution. We need to know how much our actions can screw the entire system up, whether through introducing an invasive species or destroying habitat for one more golf course. We need to have our hands in the soil, watching the creek for the flash of a salamander’s belly, our eyes to the trees for the first sign of autumn’s flush of color. We need a personal relationship with non-human nature that doesn’t end with a perfectly manicured, chemical-treated lawn.

via Our Deadly Lack of Nature Literacy — The Green Wolf

In Wild Gods we do not engage with our deities through worship only, but also through engagement with and understanding of the natural world. Even that “but also” suggests that these things are distinct, separable one from the other. But we do not exist at a time on this earth when we can afford to consider them so. Lupa explains why.

Hymn: To Artemis

Artemis I praise, sister of bright Apollo,
first-born of blessed Leto, dear child of Zeus.
Fairest among maidens, you roam the wilderness;
the enchanting nymphs are your friends and companions.
You take joy in wood and meadow, swift-footed one,
you who loves dance and games, you who wins every race.
As the wild lands are yours, so too are the wild beasts;
huntress you are–with bow your skill is unsurpassed,
always do your arrows find their mark. Artemis,
O kindly one, you ease the sharp pains of childbirth,
and you are the fiercest protector of children.
O luminous goddess, I praise and honor you.

(Author: Hearthstone. Source: Hellenion.)


Patch by Alley Valkyrie


If you find yourself

chasing after her

you’re doing it right

Io Hekate, Io Enodia

Deipnon, March 28

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