Wild Gods

A community honoring Artemis, Pan, and Dionysus

Io Selene


I was traveling over the holidays, hence the dearth of content recently. Here is the nearly-full moon over Yunnan, China the night of January 1st.

The association of Artemis with the moon depends on what period of Greek religious history you’re talking about, and also geographic region to some extent. When I first dedicated to Her my devotional activities had little to do with the moon, either in terms of visualizations or symbolism, or in terms of moon phase. But the Greek ritual month is timed according to the moon; the two major devotional activities that I do for Artemis are likewise, and one of them is in fact on the full moon. The ritual I’ve been performing lately, from Labrys’s Hellenic Polytheism: Household Worship, incorporates devotion to Selene, Artemis, and Hekate into a single ritual.

The more time I spend in the outdoors, the more attention I find myself giving the lunar cycle. At or near full, it is bright enough to see by, the brightest thing in the night sky when in the forest or mountains at night, far from sources of light pollution. When I first came to paganism, and from that to polytheism, the moon and the lunar cycle featured prominently–but many of the books I read abstracted those lunar associations from the physical satellite that I saw in the night sky.

Wild Gods is concerned with wilderness–not just a poetic or metaphorical wilderness, but the real wilderness that exists in the real world. Every month, that moon waxes and wanes over the wild, and humans are not the only ones influenced by it.


Io Kore, Io Pan

Blossoms, Jan. 12 2018

Artemis, Queen of Winter


hail artemis, queen of winter!
hail to her, golden and silver,
hail to the chill of late-morning snow,
hail to the coming of the rosy dawn.

(Source: athenaion)

Explaining Artemis

Artemis relief, hung on a tree

Someone I knew who was working with Artemis for a ritual event described the frustration they were experiencing in cultivating connection to the goddess. They said that it felt like chasing after something that was always a step ahead of them, grasping or glimpsing some slight presence before it was gone again.

Yes, I said. That’s what She’s like.

Back then, that was so. And to some extent, it still is. Artemis is a liminal deity par excellence, concerned with the borders and edges of things, with uncertain places and uncanny occurrences. The ancient Greeks regarded the wild as dangerous, justifiably so; today, this is still the case, though we humans have managed to kill off many of its dangers. The main one we haven’t is ourselves.

That conversation took place a decade ago, but I still remember it, because it marked the beginning of a shift in my own work with this goddess. That shift led me to re-cultivate outdoor skills I’d largely neglected since childhood, and acquire new ones, such as wild edible plant identification and animal tracking. Instead of an unknown world through which my goddess moved largely unseen, I found a world bursting with things to tell me about itself. And accordingly, She grew far more present in my consciousness.

Potnia Theron

An important aspect of Artemis is stewardship. Stewardship goes hand in hand with hunting: if you don’t take care of your hunting grounds, if you destroy them or hunt them to exhaustion, there’ll be nothing left to hunt. Early colonial explorers in North America were under the impression that they were looking at untamed wilderness, unaffected by human activity. They did not understand what they were seeing.

When I acquired some undeveloped land earlier this year, my relationship to Artemis changed yet again. Before, I had been pursuing Her. Now, I asked Her to draw near to me, to aid me in restoring a land damaged by commercial activity, to present whatever aspect of Herself was extant in that place so that I could open communion with it.

The response of that place was, we’ll see.

Artemis is not an easy goddess to approach. Every deity is challenging in their own way, but Artemis’s especial challenge is that she is not concerned with civilization, but with its edges. Like Potnia Theron, the Mistress of Animals to whom She is closely aligned, She is concerned with entities that are not human, that have their own lives and concerns, that do not exist for our sole use and benefit and all too often are harmed thereby.

Artemis and Actaeon, red-figure bell krater, 470 BCE
Artemis and Actaeon

For all that paganism professes connectedness to the Earth, it is rare that I meet another adherent of Artemis. One who I met last summer, an enthusiastic hunter, described the intimate connection that exists between hunter and prey. It is, at its most essential and most intense, the truth that lies at the heart of the gods of the hunt: for one thing to live, something else must die. The way we live, in America in the early 21st century, is designed to separate us from this essential truth: we do not see the things that die to feed us, and we do not see the detritus we leave in our wake.

That is what Artemis is. She is kind, but it is the brutal kindness of the quick death. Whether we embrace reciprocity or not, ultimately it will enforce itself, and the wild will not care whether it is too late for us or not.

I can say that Artemis is a goddess of wilderness, of hunting, of stewardship, of young children, of virginity, of childbirth, of borders, of harbors, of rivers, of lakes, but none of these things is an explanation. There is none; you will understand Her only by seeking Her.



“On 6 Mounychion, the spring month named after Artemis Mounychia, a procession of girls walked to the Delphinion. Each girl carried an olive twig bound with white wool, the hiketeria (‘suppliant’s twig).” — Erika Simon, Festivals of Attica


(Candle: Rosarium Blends. Statue: Jeff Cullen Artistry.)

Come, graciously hear my call,
You who oversees the wide world of the night,
darkness voyaging Goddess; famed, easy-birthing, bull-faced, horned,
mother of Gods and men, Nature’s All-Mother

(Source: Hellenic Polytheism: Household Worship)

Image: Io Hekate

Eleusis crossed torches
Ornamental stone from the Eleusis archaeological site, 2008.


“What knowledge the people have forgotten is remembered by the land.”

— Robin Wall Kimmerer, Braiding Sweetgrass

Soundgarden, “Rusty Cage”

When Chris Cornell died earlier this year I had to put this song on repeat as loud as I could stand. The sheer feralness of it, the substrate of wild nature in both the music and the lyrics, that amazing guitar riff…Io.

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